We started in 2017, running workshops — and we still believe the best poetry is local.
We began by teaching — gathering poets in rooms, running workshops, and learning what it actually takes to get a poet in front of an audience. Along the way we watched the poets we loved do the work of a writer, an event producer, a tour manager, a publicist, and a contracts attorney all at once. None of that pays. The writing, somehow, paid least of all.
The Speakeasy Project exists to collapse that into one job: poet. We do everything else. And we believe local is best — the strongest events grow out of real community, so we root our poets in the places they live and read, then bring them everywhere from there. Based in Los Angeles; our poets read everywhere.
Our roster is majority BIPOC and queer — poets whose work is leading some of the most vital cultural conversations of our time, rooted in the histories, languages, and communities they come from.
We prioritize the safety and dignity of poets who've been historically and systemically marginalized: transparent, equitable rates, contracts that protect the artist, and the freedom for every poet to bring their whole self — identity, language, and politics — to the page and the stage.
And we love bringing artists and audiences together. We partner with universities, libraries, festivals, nonprofits, and mission-aligned organizations to build events where poetry can do what it does best — foster community and empathy, and widen our vision of a shared humanity.
The Speakeasy Project is based in Los Angeles, on the ancestral and unceded lands of the Tongva (Gabrieleño), Kizh, Chumash, and Tataviam peoples, who have cared for this place since time immemorial and are still here today. We also recognize that much of the wealth and infrastructure our industry moves within was built on the stolen labor of enslaved and exploited people.
As an agency whose work is made possible by poets — many of them descendants of those histories — we hold a responsibility to name this, to pay the artists we represent fairly and on time, and to keep directing our resources back toward the communities our poets come from. This is a starting point, not a finish line, and we hold ourselves to more than words.